Good China Metal Stamping photographs

Good China Metal Stamping photographs

Some cool china metal stamping images:

Image from page 247 of “The Chinese : a general description of the Empire of China and its inhabitants” (1846)

Image by World wide web Archive Book Pictures
Identifier: chinesegeneralde02daviuoft
Title: The Chinese : a general description of the Empire of China and its inhabitants
Year: 1846 (1840s)
Authors: Davis, John Francis, Sir, 1795-1890
Subjects: China — Description and travel China — History
Publisher: London : M. A. Nattali
Contributing Library: Robarts – University of Toronto
Digitizing Sponsor: MSN

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Click here to view book on the web to see this illustration in context in a browseable on the internet version of this book.

Text Appearing Ahead of Image:
very sonorous nature of their go?igs arisesfrom the large proportion of tin in combination withcopper. In the most considerable Budhist temples isalways suspended a excellent cylindrical bell, which, how-ever, is not rung like our bells, by swinging with aclapper, but struck on the outdoors with a big woodenmallet. The fantastic bell at Peking, measured by oneof the Jesuits, was fourteen feet and a half in height,and almost thirteen in diameter. This, as nicely asmost other people of the sort, is extremely ancient and withsuch antique specimens we may consist of the vases andtripods of bronze and other metals, on which theChinese location wonderful retailer, but which are generali 236 THE CHINESE. rather too clumsy to possess much elegance. Anotherof their antiques in metal is the circular mirror, thespeculum of which is formed apparently of a mixtureof copper and tin, with probably a portion of silver.Some of the round metal mirrors, sold in Mr. Saltscollection of Egyptian antiquities, are surprisingly likethese.

Text Appearing Right after Image:
Metal Tea-pot, covering earthenware. But there is a puzzling house in several of theChinese mirrors which deserves particular notice, andwe may possibly give it collectively with the remedy furnished bySir David Brewster : The mirror has a knob in thecentre of the back, by which it can be held, and onthe rest of the back are stamped in relief particular circleswith a type of Grecian bortler. Its polished surfacehas that degree of convexity which provides an image ofthe face half its all-natural size and its exceptional pro-perty is, that when you reject the rays of the sunfrom the polished surface^the image of the ornamentalborder, and circles stam])ed upon the back, is seendistinctly reflected on the wall, or on a sheet of paper. The metal of which the mirror is created seems to METALLIC MIRRORS. 237 be what is known as Chinese silver, a composition of tinand copper, like the metal for the specula of reflectingtelescopes. The metal is quite sonorous. The mirrorhas a rim (at the back) of about l-4th, or l-6th

Note About Photos
Please note that these pictures are extracted from scanned web page photos that could have been digitally enhanced for readability – coloration and appearance of these illustrations may not completely resemble the original perform.

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SMM Adds China Copper Industry Database into SMM Online Database Service

SMM Adds China Copper Business Database into SMM On the internet Database Service
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Good Sheet Metal China images

Good Sheet Metal China images

A handful of nice sheet metal china pictures I located:

Stalinorgel. Stalin’s Organ. Сталинский орган.

Image by Peer.Gynt
Katyusha a number of rocket launchers (Russian: Катюша) are a type of rocket artillery initial built and fielded by the Soviet Union in Globe War II. Compared to other artillery, these multiple rocket launchers provide a devastating quantity of explosives to an area target swiftly, but with reduced accuracy and requiring a longer time to reload. They are fragile compared to artillery guns, but economical and effortless to generate. Katyushas of Planet War II, the 1st self-propelled artillery mass-produced by the Soviet Union,[1] had been usually mounted on trucks. This mobility gave Katyushas (and other self-propelled artillery) an additional benefit: getting capable to provide a big blow all at once, and then move just before being located and attacked with counter-battery fire.

Katyusha weapons of Globe War II included the BM-13 launcher, light BM-8, and heavy BM-31. These days, the nickname is also applied to newer truck-mounted Soviet multiple rocket launchers—notably the widespread BM-21—and derivatives.

The nickname

Initially, the secrecy kept their military designation from getting recognized by the soldiers who operated them. They had been referred to as by code names such as Kostikov Guns (right after the head of the RNII), and lastly classed as Guards Mortars.[two] The name BM-13 was only allowed into secret documents in 1942, and remained classified until after the war.[three]

Since they have been marked with the letter K, for Voronezh Komintern Factory,[three] Red Army troops adopted a nickname from Mikhail Isakovsky’s well-liked wartime song, Katyusha, about a girl longing for her absent beloved, who is away performing military service.[4] Katyusha is the Russian equivalent of Katie, an endearing diminutive form of the name Katherine: Yekaterina →Katya →Katyusha.

German troops coined the sobriquet Stalin’s organ (German: Stalinorgel), after Soviet leader Joseph Stalin for its visual resemblance to a church musical organ and alluding to the sound of the weapon’s rockets. They are identified by the very same name in Sweden. [four]

The heavy BM-31 launcher was also referred to as Andryusha (Андрюша, “Andrew”, endearing diminutive).[5]
Katyushas of Planet War II

Katyusha rocket launchers have been mounted on several platforms throughout Planet War II, such as on trucks, artillery tractors, tanks, and armoured trains, as properly as on naval and riverine vessels as assault support weapons.

The design and style was fairly straightforward, consisting of racks of parallel rails on which rockets were mounted, with a folding frame to raise the rails to launch position. Every truck had between 14 and 48 launchers. The 132-mm diameter M-13 rocket of the BM-13 technique was 180 centimetres (70.9 in) lengthy, 13.two centimetres (5.two in) in diameter and weighed 42 kilograms (92 lb). Initially, the caliber was 130 mm, but the caliber was changed (very first the designation, and then the actual size), to stay away from confusing them with standard artillery shells[three]. It was propelled by a strong nitrocellulose-primarily based propellant of tubular shape, arranged in a steel-case rocket engine with a single central nozzle at the bottom end. The rocket was stabilised by cruciform fins of pressed sheet steel. The warhead, either fragmentation, high-explosive or shaped-charge, weighed about 22 kg (48 lb). The range of the rockets was about five.4 kilometres (three.4 mi). Later, 82-mm diameter M-eight and 310-mm diameter M-31 rockets have been also developed.

The weapon is much less accurate than standard artillery guns, but is extremely successful in saturation bombardment, and was particularly feared by German soldiers. A battery of 4 BM-13 launchers could fire a salvo in 7–10 seconds that delivered 4.35 tons of high explosives more than a four-hectare (ten acres) effect zone.[2] With an effective crew, the launchers could redeploy to a new location immediately following firing, denying the enemy the opportunity for counterbattery fire. Katyusha batteries had been typically massed in very large numbers to produce a shock impact on enemy forces. The weapon’s disadvantage was the lengthy time it took to reload a launcher, in contrast to standard guns which could sustain a continuous low rate of fire.

The sound of the rocket launching also was exclusive in that the continuous &quotwoosh&quot sound that came from the firing of the rockets could be employed for psychological warfare. The rocket’s devastating destruction also helped to decrease the morale of the German army.

Improvement
Katyushas of Planet War II

Katyusha rocket launchers have been mounted on many platforms during World War II, such as on trucks, artillery tractors, tanks, and armoured trains, as well as on naval and riverine vessels as assault help weapons.

The design and style was relatively straightforward, consisting of racks of parallel rails on which rockets have been mounted, with a folding frame to raise the rails to launch position. Each truck had among 14 and 48 launchers. The 132-mm diameter M-13 rocket of the BM-13 technique was 180 centimetres (70.9 in) long, 13.two centimetres (5.two in) in diameter and weighed 42 kilograms (92 lb). Initially, the caliber was 130 mm, but the caliber was changed (very first the designation, and then the actual size), to keep away from confusing them with regular artillery shells[3]. It was propelled by a strong nitrocellulose-primarily based propellant of tubular shape, arranged in a steel-case rocket engine with a single central nozzle at the bottom end. The rocket was stabilised by cruciform fins of pressed sheet steel. The warhead, either fragmentation, higher-explosive or shaped-charge, weighed about 22 kg (48 lb). The range of the rockets was about 5.four kilometres (3.4 mi). Later, 82-mm diameter M-8 and 310-mm diameter M-31 rockets were also developed.

The weapon is less precise than conventional artillery guns, but is incredibly efficient in saturation bombardment, and was especially feared by German soldiers. A battery of four BM-13 launchers could fire a salvo in 7–10 seconds that delivered 4.35 tons of higher explosives over a four-hectare (10 acres) effect zone.[2] With an efficient crew, the launchers could redeploy to a new location instantly right after firing, denying the enemy the opportunity for counterbattery fire. Katyusha batteries were usually massed in extremely big numbers to produce a shock effect on enemy forces. The weapon’s disadvantage was the extended time it took to reload a launcher, in contrast to conventional guns which could sustain a continuous low rate of fire.

The sound of the rocket launching also was special in that the constant &quotwoosh&quot sound that came from the firing of the rockets could be utilized for psychological warfare. The rocket’s devastating destruction also helped to decrease the morale of the German army.

Combat history
BM-13 battery fire, in the course of the Battle of Berlin, April 1945, with metal blast covers pulled over the windshields

The numerous rocket launchers were leading secret in the beginning of World War II. A specific unit of the NKVD secret police was raised to operate them.[two] On July 7, 1941, an experimental artillery battery of seven launchers was 1st utilised in battle at Orsha in Belarus, below the command of Captain Ivan Flyorov, destroying a station with several provide trains, and causing huge German Army casualties. Following the good results, the Red Army organized new Guards Mortar batteries for the support of infantry divisions. A battery’s complement was standardized at four launchers. They remained under NKVD manage till German Nebelwerfer rocket launchers became widespread later in the war.[6]
A battery of BM-31 several rocket launchers in operation

On August eight, 1941, Stalin ordered the formation of eight Unique Guards Mortar regiments under the direct manage of the Common Headquarters Reserve (Stavka-VGK). Each and every regiment comprised 3 battalions of three batteries, totalling 36 BM-13 or BM-8 launchers. Independent Guards Mortar battalions had been also formed, comprising 36 launchers in 3 batteries of twelve. By the end of 1941, there had been eight regiments, 35 independent battalions, and two independent batteries in service, holding a total of 554 launchers.[11]

In June 1942 Heavy Guards Mortar battalions were formed about the new M-30 static rocket launch frames, consisting of 96 launchers in three batteries. In July, a battalion of BM-13s was added to the establishment of a tank corps.[12] In 1944, the BM-31 was employed in Motorized Heavy Guards Mortar battalions of 48 launchers. In 1943, Guards Mortar brigades, and later divisions, were formed equipped with static launchers.[11]

By the end of 1942, 57 regiments have been in service—together with the smaller sized independent battalions, this was the equivalent of 216 batteries: 21% BM-eight light launchers, 56% BM-13, and 23% M-30 heavy launchers. By the end of the war, the equivalent of 518 batteries were in service.[11]
[edit] Katyushas given that World War II
Russian forces use BM-27 rocket launchers during the Second Chechen War

The success and economy of multiple rocket launchers (MRL) have led them to continue to be developed. For the duration of the Cold War, the Soviet Union fielded several models of Katyushas, notably the BM-21 launchers fitting the stereotypical Katyusha mould, and the bigger BM-27. Advances in artillery munitions have been applied to some Katyusha-kind numerous launch rocket systems, which includes bomblet submunitions, remotely-deployed land mines, and chemical warheads.

With the breakup of the Soviet Union, Russia inherited most of its military arsenal such as the Katyusha rockets. In current history, they have been employed by Russian forces in the course of the 1st and Second Chechen Wars and by Armenian and Azerbaijani forces for the duration of the Nagorno-Karabakh War. Georgian government forces are reported to have utilised BM-21 or equivalent rocket artillery in fighting in the 2008 South Ossetia war.[13]

Katyushas had been exported to Afghanistan, Angola, Czechoslovakia, Egypt, East Germany, Hungary, Iran, Iraq, North Korea, Poland, Syria, and Vietnam. They have been also constructed in Czechoslovakia[14], People’s Republic of China, North Korea, and Iran.[citation needed]

Katyushas also saw action in the Korean War, used by the Chinese People’s Volunteer Army against the South and United Nations forces. Soviet BM-13s had been identified to have been imported to China before the Sino-Soviet split and had been operational in the People’s Liberation Army.

Israel captured BM-24 MRLs in the course of the Six-Day War (1967), used them in two battalions for the duration of the Yom Kippur War (1973) and the 1982 Lebanon War, and later developed the MAR-240 launcher for the identical rockets, primarily based on a Sherman tank chassis. In the course of the 2006 Lebanon War, Hezbollah fired among 3,970 and four,228 rockets, from light truck-mounts and single-rail man-transportable launchers. About 95% of these were 122 mm (four.eight in) Syrian-manufactured Katyusha artillery rockets, which carried warheads up to 30 kg (66 lb) and had a range of up to 30 km (19 mi).[15][16].[15][17][18] Hamas has launched 122-mm “Grad-sort Katyusha” rockets from the Gaza Strip against a number of cities in Israel,[19] even though they are not reported to have truck-mounted launchers.

Katyushas had been also allegedly used by the Rwandan Patriotic Front throughout its 1990 invasion of Rwanda, by means of the 1994 genocide. They were successful in battle, but translated into significantly anti-Tutsi sentiment in the neighborhood media.[20]

It was reported that BM-21 launchers had been utilised against American forces for the duration of 2003 invasion of Iraq. They have also been employed in the Afghanistan and Iraq insurgencies. In Iraq, according to Associated Press and Agence France-Presse reports, Katyusha rockets were fired at the Green Zone late March 2008.[21][22]

ROM Royal Ontario Museum 2010

Image by BRJ INC.
JNF Charity Box, Palestinian, for use in Germany. Sheet metal, enamel. 999.119.51

These photographs are from my go to to the Royal Ontario Museum. I went due to the fact they have been obtaining a specific exhibit featuring the terracota army. Despite the fact that photographs of the figures themselves have been strictly prohibited I still managed to get some very good shots from other exhibits the museum was obtaining.

Burnig Sheets of Metal

Image by niqodemus

Cool China Metal Fabrication pictures

Cool China Metal Fabrication pictures

A handful of nice china metal fabrication photos I found:

SZX Metalworks Shenzhen China

Image by dcmaster

Atman

Image by elycefeliz
Atman (sculpture): This 32-foot tall abstract sculpture is owned by the Eden Park-based Cincinnati Art
Museum. It was developed by Mark di Suvero and installed in 1986. Born in Shanghai, this piece is
reminiscent of calligraphy strokes, and its name means “World Soul.”

Ohio Outdoor Sculpture Inventory
3 red I-beams lean with each other forming a tripod extra beams rest atop the tripod and a beam is attached horizontally about halfway up connecting two of the legs.

Marco Polo &quotMark&quot di Suvero is an American abstract expressionist sculptor born Marco Polo Levi in Shanghai, China in 1933 to Italian expatriates. He immigrated to San Francisco, California in 1942 with his family. From 1953 to 1957, he attended the University of California, Berkeley to study Philosophy. He later moved to New York City where he was surrounded by an explosion of Abstract Expressionism. Even though operating in building, he was critically injured in a freight elevator accident and focused all his focus on sculpture.

Although in rehabilitation, he discovered to function with an arc welder. His early operates were massive outdoor pieces that incorporated railroad ties, tires, scrap metal and structural steel. This exploration has transformed over time into a concentrate on I-beams and heavy gauge metal. Numerous of the pieces contain sections that are allowed to swing and rotate providing the general forms a considerable degree of motion. He prides himself on his hands-on strategy to the fabrication and installation of his operate.

di Suvero at the moment lives in New York City with his second wife and daughter. He has three working studios, considering that 1981 in Extended Island City, a former brickyard on the edge of the East River in Extended Island ,an open air fabrication facility in Petaluma California, which he created in partnership with initial wife from 1975 to 1988 as the third studio on a river barge in Chalon-sur-Saône, France, considering that 1972.

He most recently published a book, titled Dreambook, a compilation of images of sculptures, poems, and ideas. The vibrant colors in it are reflected in the bright colors he usually wears.

Mark di Suvero internet site
Mark di Suvero is a lifelong activist for peace and social justice, and has demonstrated a generous commitment to assisting artists. In 1962, he co-founded Park Location Gallery, the very first artists’ cooperative in New York City. In 1977, he established the Athena Foundation to help artists to realize their ambitions. In 1986, he established Socrates Sculpture Park at the website of a landfill on the East River in Queens, New York. By means of his leadership, a four.five acre parcel was transformed by a coalition of artists and community members into an open studio and exhibition space. To date, the park has hosted the perform of more than 800 artists.

To Make Meanings True: A Conversation with Mark di Suvero
I’m essentially interested in anything that Suzanne K. Langer pointed out—that human beings use symbols all the time. The words that we’re employing now are symbolic, and mathematics depends on the use of symbols. If you do not have icons, which are symbols, the pc does not function. Langer, a Freudian, dealt with the symbolic structure that Freud had discovered in the human unconscious/subconscious. Human beings have produced huge symbolic structures like language, mathematics, and art, and these have that really hard word, meaning. What is the which means of one’s life? What is the meaning of a poem? The which means of music? These items are accurate to our gut reaction to life and very tough to define.

What is so thrilling about sculpture is that we make these meanings real—that is, in 3 dimensions, so that you can bump into them in the dark. There is a way of hunting at the objective planet that is really analytical, that describes it and tests it. And then there is a way, as in sculpture, when you have the true object there, that is like a springboard into dreams, poetry, and the feeling—the internal feeling of one’s life. Far more and a lot more, we have a split in human minds among the feeling, internal, subjective world and the objective world where the auto runs into somebody or into a wall. In contrast to the analytical, the subjective world is significantly much more plastic and changes in approaches that depend on meanings at a psychic level.

. . . There’s a query of what utilised to be called “social consciousness,” which is the type of responsibility you feel toward other human beings. I think that there’s a enormous amount of current art that offers with the art marketplace and that has definitely no relation to social consciousness.

I consider that we are all associated, all interconnected, if not by language undoubtedly by some of our beliefs, no matter whether religion or dreams or art or poetry and emotions, and that this is part of our duty.

I do not like the word responsibility, but if you are functioning a crane—I am a union crane operator—you know extremely effectively that your duty isn’t just to the steel that you are lifting but to the lives of co-workers who rely on you doing the correct thing. The capacity for danger is as undesirable as the capacity for killing by individuals who have guns. You have to be really careful. We have, in our instances, observed the tragedy of tv violence, when young children have taken guns, as in Columbine, and killed other students, which is the limit of insanity. Insanity and irresponsibility are great dangers whenever there is a massive quantity of energy involved. This colonial war with Iraq is a racist war, a war that depends on a president who lied about the explanation for war and does not admit that he lied. This president has killed numerous far more children than were killed in Columbine and is not becoming held responsible. They’re Iraqi young children. One particular of the horrors of American politics is that this sort of colonial war has turn into acceptable.

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